Fantastic Four – The Complete Animated Series Movie Streaming
Mar0
 |
Fantastic Four – The Complete Animated Series Movie Streaming.
Movie Title: Fantastic Four – The Complete Animated Series Fantastic Four – The Complete Animated Series is available for streaming or downloading. Click Here to Stream or Download Fantastic Four – The Complete Animated Series |
This series lasted for two seasons, from 1994 to 1996, for a total of 26 episodes. The first season was quite forgettable, both in terms of chronicle assert and animation quality. In one of the few instances of an interesting series being retooled in the middle of its speed, the second season saw the explain rebuilt almost from the ground up, with the only similarity being the dispute cast (although Brian Austin Green was replaced by Quinton Flynn as the Human Torch) . The animation was first rate, and stories were often taken directly from the comics work of Stan Lee & Jack Kirby and John Byrne. Of special price, the first episode of the season, “And a Blind Man Shall Lead Them,” guest-stars Daredevil. Later episodes in year 2 guest-starred Ghost Rider, The Noteworthy Thor, and even The Unbelievable Hulk. The season finale is another Lee/Kirby adaptation and features the Silver Surfer. Bottom line, the sublime grandeur of the latter thirteen episodes of this status makes it worth every cent. Not to be missed by any just Fanatic of the Astonishing.
In the mid-90’s many of Marvel’s characters came to the runt veil on Saturday mornings after the success of X-men and Spiderman. One of those was Marvel’s very first group of Superheroes, the Astounding Four. With the movie due to reach out in a few weeks, it’s stout to have these episodes on DVD finally. The situation contains all 26 episodes of the hurry. While I agree that the first season (And I have them on VHS because I am a geek) was obnoxious to the second season, the first season is not without its merits, mainly in the presentation of the group’s origin as well as the two fragment “Silver Surfer and the Coming of Galactus” episode. This is one of the key moments in Marvel’s silver age history and I understanding they did a very nice job with it. I also enjoyed the Survey the Negative Zone episode as I loved the goofy villains Annihilus and Blaastar.
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Things do bewitch up in season two in 1995 with several outstanding episodes including:
The Three portion Inhumans Saga where the FF battle the Plain Four and then eventually go to the hidden Grand Refuge of the Inhumans.
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To Battle the Living Planet – The FF enlist the Abet of Galactus to battle Ego, the Living Planet, but at what effect? Thor co-stars.
When Calls Galactus – Galactus is relieve to like the earth and only the sacrifice of Frankie Raye saves the earth as she becomes his modern herald named Nova.
Nightmare in Green – The Thing battles the Hulk! Nuff said!
Doomsday is an adaption of one of my popular stories as Dr. Doom captures the Silver Surfer and steals his power to battle the FF.
While the animation on the Incredible Four wasn’t quite as edifying as Spiderman or the X-men, it was quiet elegant reliable and the point to really seemed to be hitting its walk when it ended after honest two seasons. And of course this is vastly pleasant to the two earlier cartoon versions of the 60’s and 70’s. Herbie the robot anyone?
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Watch Bugville Online
Mar0
Bugville is the second re-titling of the 1941 Max Fleischer though-provoking classic, which has otherwise been known as Hoppity Goes to Town or Mr. Bug Goes to Town, respectively. For the uninitiated, the Fleischer brothers were an animation powerhouse that rivaled Disney at the time–producing cartoon greats like Popeye, Superman and Betty Boop–only to be undone by the extremely terrible timing of this film’s release (several days after Pearl Harbor) . Since the Fleischers were often famous from their competitors because of their exhaust of human characters in their cartoons, as opposed to the industry standard anthropomorphic animal, I pick up it intriguing that the film that forced them out of their absorb studio featured anthropomorphic animals.
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History lesson aside, anyone who has seen Popeye would have an helpful feel for the style and quality of the animation in Bugville, which more or less conforms to the visuals of the Fleischers’ more eminent cartoons. Speaking directly to the quality of this particular DVD, it is certainly better than many of the other versions I’ve seen floating around the internet. The describe is determined, as opposed to the blurriness that seemed to pervade the other copies I’ve seen. The sound is likewise better, although quiet in mono. Overall, if you’re involved in acquiring a version of Mr. Bug/Hoppity, this Bugville release seems to be the best readily available.
Noteworthy extras include biographical information on the Fleischers and several more of their cartoon shorts.
Bugville is filled with enormous musical numbers and a very intriguing and keen legend. The characters are lovable and charming and there is heart in this film and lessons to be learned. Both my boys (9 and 3) were enthralled with the memoir as was I. It is filled with adorable adaptations of human’s items (a compact case and powerder-puff is mature as a bed, a glove over a doorway becomes a drape) .
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The quality of this particular DVD is helpful. The recount is distinct and the sound is very suitable, although level-headed in mono.
As another reviewer indicated, I too almost missed this title because I had heard of and was looking for “Hoppity Goes to Town.” (There was some apt reasons why the name had to be changed.) This is a extraordinary film. It is a classic and it’s a shame more people don’t know about it.
The Fleischers’ really outdid themselves with this and never quite did so again. In reading up about this release, it was the first entertaining feature not adapted from a work of literature. (Also, the first one to recall site in contemporary times, rather than “long ago and far away.”) More original feature cartoons such as Ants and Bugs were clearly influenced by this astounding chronicle. If this had originally been released a month sooner, I fill it would’ve been as well known as Disney’s Snow White, and maybe better, since it’s an unique fable. It’s a shame it was never re-released to the theaters in the tedious 40’s or released in video decades ago so that during the Fleischers’ lifetimes, they would’ve been properly recognized for this fantastic production. Highly recommended for the whole family!
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Hero Special Edition Streaming
Mar0
 |
Hero Special Edition Streaming.
Movie Title: Hero Special Edition Hero Special Edition is available for streaming or downloading. |
I feel like I have been waiting a long time to peek this movie and that the trailer for “Hero” (”Ying xiong”) has been teasing us for at least a year. I have to admit that I fully expected to search for an yarn burly of battle scenes and massed armies of men. My mistake. This film from China is a pointed sage, distilled from epic that may well be legend, and with a point that may well be lost on Western audiences. This is definite from those viewers who are unwilling to get the conventions of wire work in Chinese martial art pictures and whose standard of realism refuses to allow for the poetic ballet of combat.
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The prologue makes it distinct that this epic takes situation in China before it was China, when the land was made up of seven warring provinces and the King of Qin (Chen Dao Ming) dreamt of conquering the other six provinces and uniting the land. For years the king has been unable to have a collected night of sleep because there are three assassins who are out to ruin him. Now comes a nameless warrior (Jet Li), who has approach to the imperial court to be rewarded for killing the three unbeatable assassins. He is warned that he may not come within 100 paces of the king or he will be killed. But because he has bested the assassin Sky (Donnie Yen) in combat, he is allowed with 20 paces to impart his record.
Most of the record of “Hero” is told in flashback as Nameless tells his stories and the king questions him. We also learn of the fates of Broken Sword (Tony Leung) and Flying Snow (Maggie Cheung), two assassins who were also a pair of lovers. But there is more than one truth and more than one story to be told in this film. Director Zhang Yimou, improving on the artistry we first enjoyed in “Raise the Red Lantern,” color codes the stories that we peruse. First the legend is told in lush shades of red, then in frosty blue, again in white, and finally in green. Drops of water and swirling yellow leaves all become parts of the dances of death during the fight sequences, captured by cinematographer Christopher Doyle. “Hero” is a radiant film that uses its saturated colors better than any film of current memory. There is a code to the colors, but that is something you need to arrive to terms with on your enjoy.
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Another strength of this film is that the fighting (choreographed by Wei Tung) and special effects do not overwhelm the actors who are required to play what is on some level the same scene as slightly different characters. I know there are computer generated effects in this film, especially since there are more arrows shot in “Hero” than any film in history, but for once I did not win the feel that what I was seeing was not exact. That is become this film keeps coming abet to questions of aesthetics, from the breathtaking expend of color to the eloquent understanding that swordsmanship and calligraphy are intrinsically awaited.
Special mention has to be made of the music, smooth by Dun Tan and featuring violin solos and fiddling by Itzhak Perlman along with drumming by the Japanese group Kodo. I have never really seen one of those Hong Kong kung fu movies where everyone screams while they fight and I might never gain around to it given the calm eloquence of the fights in movies like “Hero” (not to mention “Crouching Tiger, Hidden Dragon”), where the moments are underscored by the sound of clashing swords, pounding drums, and a violin. “Hero” is an art film, albeit one made on a larger and more brilliant canvas.
“Hero” may be sold as being a astronomical film but it is really about something relatively expressionless and simple. I disagree with the belief that either the style or substance of the film is beyond our Western sensibilities. Apparently the reason the film has the “Quentin Tarantino Presents” brand at the commence was so that Miramax would not slice 20 minutes of the film out on the pretext that it too Asian/confusing for Western audiences. Indeed, I have seen some critics who professes to be confused about the complex set and I can only wonder if they were equally confused by “Rashomon,” an definite reference point to this one (in many ways Yimou owes more to Akira Kurosawa’s classic film than to Ang Lee’s “Crouching Tiger, Hidden Dragon”) . Certainly after a century of cinema we are well-behaved to looking at the same thing from multiple perspectives and enjoying this gem of a film that has finally made its method to our shores.
Much as Ang Lee demonstrated his directorial virtuosity in CROUCHING TIGER, HIDDEN DRAGON, Zhang Yimou has applied his aesthetic talents to the martial arts genre with HERO. This is movie not only worth seeing, but worth watching two or three times, or more. Each viewing unveils recent appreciation for Zhang’s artistic direction, Chris Doyle’s cinematography, Tan Dun’s musical obtain, and Itzhak Perlman’s violin performance, not to mention new insights into the memoir line and character interrelationships.
The legend line is simple enough on its surface, based loosely on Chinese historical fact. The king of the Qin plot seeks to unify the Seven Kingdoms some 2,000 years ago, and three assassins from the defeated Zhao spot wish to demolish him. An unknown warrior named Nameless, from the Qin site, succeeds in killing the three assassins and returns to salvage his reward in an audience with the King. As we understanding segments of Nameless’s explanation of how he defeated three such fearsome opponents, a battle of wits ensues with the skeptical King until the truth emerges. Their verbal sparring beautifully parallels the feints, thrusts, and parries of the martial arts scenes.
Within this account line, we are treated to fabulous, ballet-like martial arts contests between Nameless and the three assassins. Each scene is dominated by one well-known color, from the opening desert white to the reds of the calligraphy school to the yellows of autumn leaves whose wind-swept swirls become weapons in themselves. A sword fight between Broken Sword and the King of Qin is cloaked in flowing green cloth, reminiscent of Zhang’s employ of colored cloth in JU DOU.
While HERO evokes memories of RASHOMON, this is not the same motif. The three “versions” of the assassins’ reported deaths are rather more like the late unfolding of a Sherlock Holmes mystery. As the anecdote reveals itself, the relationship of the four assassins (including Nameless) moves from enemies to spurned lovers to companions working together and finally to a genuinely tragic (if seemingly platonic) cherish between two of them.
Several less recognized aspects of HERO are particularly fine of price. First, anyone who saw Tony Leung and Maggie Cheung in IN THE MOOD FOR Fancy will obtain it considerable that the same two actors could pull off the characters of Broken Sword and Flying Snow so successfully. Second, the game of Go played by the assassin Sky at the beginning of the movie magnificently foreshadows Nameless’s successive movements in the King’s presence from 100 to 20 to 10 paces. Third, the ballet movements in unison of the candle flames burning before the King are not only shiny in thought, they mirror the closing scene’s behavior of the King’s faceless advisors calling for Nameless’s execution. Finally, the juxtaposition of calligraphy brushes with swords and flying arrows is a dramatic visual rendition of the pen and sword adage.
A last comment. Criticism of HERO as Communist Party propaganda is laughably absurd and demonstrates a severe lack of thought of Chinese history. Qin Shihuang was a product of his times, no more or less tyrannical than the Egyptian pharaohs, Alexander the Enormous, Julius Caesar, William the Conqueror, Suleiman, or the American generals who “cleared” the Wild West of Indians. Regardless of his methods, Qin Shihuang accomplished a mountainous unification (All under heaven) that continues two millennia after his death. HERO evokes the founding of a nation and one unknown man’s ultimate decision to sublimate his desire for revenge to the greater genuine of his country. That makes it no more propagandist than stories of Abraham Lincoln’s struggle to re-unify the North and the South at the cost of countless thousands of lives, and far less pathetically propagandist than the original “American hero” movies celebrating Jessica Lynch or Ronald Reagan. Americans need to select a long, hard perceive in the mirror more often before screaming propaganda about the cultural work of other countries.
HERO is not a perfect movie. The sword fight over the lake goes a bit over the top, the calligraphy/sword connection is overplayed, and Zhang Ziyi’s character Moon too often feels extraneous. Nevertheless, HERO is a Must Peruse for anyone who loves substantial story-telling and substantial movie-making.
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Buy Clatterford – Season 1
Mar0
Compare Prices on Clatterford – Season 1
I saw the English broadcast of this series and thoroughly enjoyed it. It’s a heartwarming understanding of diminutive village life complete with all of the quirky types of characters you might interrogate. Assume Calendar Girls, with its focus on the local Women’s Institute (called the Women’s Guild in Clatterford) . I read one review that aptly compared it to Northern Exposure. The BBC has done the series as remarkable distress as gracious by promoting it as “by the creator of Absolutely Astonishing,” Jennifer Saunders. This is not AbFab and one shouldn’t inquire of anything like that. But Jennifer Saunders continues to be a master at taking favorite events, situations, or conversations and embellishing them to the brink of absurdity. This series can provide plenty of smiles, but don’t examine hilarity. It wasn’t written that design.
If I could bellow from the top of the tallest Virginia mountain and have others hear me, I would. I would cry my heart out if only those sitting in Unique York comfy chairs would answer the fact that the BBC continually, at times without difficulty, creates wonderful television series with what seems like the least amount of wretchedness. With the recent shows coming out on American television lately we either need to have large budgets coupled with colossal explosions or special effects, large names to tumble the ratings, or convoluted plots that sustain us guessing till the very ending and mild give us nothing – alas, the BBC continues to demonstrate that theory rotten. Using a cramped situation, justified plots, and sizable names – but combined efforts, the group from across the pond continues to effect me. This time, it was with a exiguous, probably unheard dramedy, entitled, “Clatterford”.
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Inspired by the same minds that brought us “Ab Fab” and the team of French and Saunders tone it down a bit and bring the country into your believe living room. With a subdued beginning episode that may bring a high-tail to your see, it also brings us closer to this petite town region – half “Vicar of Dibly” half “Northern Exposure” and fragment “Gilmore Girls” lifestyle. What drew me into this exhibit were the individual stories, the powerfully exemplified characters, and the simplicity of each episode. You don’t go into “Clatterford” expecting Jack Bauer to pop out slow these ladies, which is a whole original level of watching television. “Clatterford” uses lackluster technology, handsome scenery, and female fling to order a record that can be relatable to anyone, even if you live in a stout city surrounding. I should mention, that isn’t a exhibit for your average male. Not that I am being negative about this, but the female to male ratio in this program is rude – this isn’t “24″ hours in the life of a village, this is reaction vs. consequences coupled by togetherness. Sounding curious? These shouldn’t seem like random encounters. This is about a village sustaining what we, as Americans, have forgotten about – our gain people. The village in “Clatterford”, albeit focused quite a bit on the local church organization, but surprisingly worked together. There is one episode dedicated to showing how this shrimp gathering supports the itsy-bitsy village. These women may not encounter each other if it weren’t for this petite group – and it is the gatherings and events that bring us, the audience, as well as these pivotal ladies together.
Oh, and did I mention this present was not unprejudiced loyal – but also very, very humorous. While I had inconvenience laughing at Dawn French’s character of Rosie (because she is mentally unstable), she provided a diminutive cut of enjoyment as the rest of the cast equally contributed. Of course, there is one stand out – which is the the central focus of some episodes, but it isn’t overbearing. When I finished the series, I cared about each of the characters individually, which is hard to do with most current American television series. Not to be negative about our television, but “Clatterford” far exceeds distinguished of what I have seen here in the states. It is subtle, not everyone will procure the gleaming humor, and it is rich in character development – bringing together an entire village to recall our hearts.
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Overall, I would have effort suggesting this television series to everyone, because it can collect depressing, it can regain enthusiastic, and it can pick up emotional (sans the explosions), all without the attend of fleshy men. Sounds impossible doesn’t it? I know most will not collect the humor of this program, but for me “Clatterford” was a simple exhibit, complex emotion, and well-rounded individuals that bring humanity to a unusual level. I loved it. I could gaze this short series again (especially the episode with the Christmas Pantomime) . I will succor this reveal, alas, I objective don’t reflect it will peer the audience that it needs to in America.
Sign me up for two whole cases of these ladies’ dilemma.
Grade: ***** out of *****
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Stream Mr. Blandings Builds His Dream House Movie Online
Mar0
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Stream Mr. Blandings Builds His Dream House Movie Online.
Movie Title: Mr. Blandings Builds His Dream House Mr. Blandings Builds His Dream House is available for streaming or downloading. Click Here to Stream or Download Mr. Blandings Builds His Dream House |
Yeeup! As Mr. Tersander would say. This is one of my current films. While not exactly bust-a-gut comic, it is warmly humorous throughout with a couple of classic lines & scenes (the perplexing storeroom, the “letch”, the well, the all-night Wam session etc.), played to perfection with ease and charm (my God those are lost arts, aren’t they? ) by a cast of pros who are immediately likeable and comfortable to be around.
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The tale of a Unique York adman building his dream house in Connecticut being snookered by the “hicks” and then the series of disasters and cost overruns that befall him, the film is played with fair the suitable tone, light and with huge suitable humor, from the falling lintels to the Zuzz-Zuzz water softener.
Some may quiz the 5 stars, and although it may not be a astronomical movie, I give it all 5 because Grant, Loy and Douglas are a lost breed of irreplaceable class players, and this kind of effortless amusement is dazzling distinguished an ragged genre.
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I’m a accurate fan of classic movies as you can advise from some of my other reviews.
Mr. Blandings Earn His Dream House makes a stout analogy for systems and software development. Even though this film hit the street in 1948, the situations in which the Blandings fetch themselves is relevant for any project today. This chronicle of a man who wishs to fulfill his life dream of ruling his estate in the country contains almost every gotcha ever seen on a project:
- Scope changes
- Conflicting executive sponsorship
- Changes, Changes control, and the cost of change
- Conflicting goals
- Users who want it all for almost nothing
- Dreadful project planning
My favourite scene is when Mr. and Mrs. Blandings grab some pencils and inaugurate ‘tweaking’ the architect’s drawings.
This film was remade as ‘The Money Pit’, but I wouldn’t recommend that version.
This film will be remade again in 2005 and I doubt it could live up to the tempered choas shown by Cary Grant nor the level-headed, straigt faced comedy of Myrna Loy.
If you study this film you won’t regret it. If you acquire it you will peer it often
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Enron: The Smartest Guys in the Room Movie Streaming
Mar0
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Enron: The Smartest Guys in the Room Movie Streaming.
Movie Title: Enron: The Smartest Guys in the Room Enron: The Smartest Guys in the Room is available for streaming or downloading. Click Here to Stream or Download Enron: The Smartest Guys in the Room |
I went into Alex Gibney’s “Smartest Guys in the Room” having read Robert Bryce’s “Pipe Dreams” and Kurt Eichenwald’s “Conspiracy of Fools” thinking to myself: should be qualified, but no procedure the movie is going to arrive conclude to telling the record like those two authors did.
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Well, surprise, surprise: the movie is outstanding on its believe terms and all credit goes to Gibney. While the books focus on unraveling all of Andy Fastow’s ‘Special Purpose Entities’ like the Raptors, LJM, Chewco, etc., Gibney brilliantly focuses on showing us things that are simply better on film: audio recordings of Enron traders jacking the California energy system; a devastated Portland Gas line worker after his 401K has gone to seed; an downhearted Skilling getting grilled by a Senate panel while Sherron Watkins glowers at him from 10 feet away; some Enron HR flack urging its employees to set aside all their 401K money into company stock, etc.
And there are two improbable, spine-tingling moments if you know the Enron story:
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- An audio recording of the eminent quarterly results analyst call where Skilling loses it and calls an analyst an a——. [The analyst only asked why the company couldn't obtain a balance sheet.] Reading Eichenwald’s book, you know Skilling is clearly unhinged at this point. For many, this call was the turning point of the substantial unraveling.
- A secret video recording from Merrill Lynch of Andy Fastow’s LJM2 pitch to a bunch of bankers. This is *mesmerizing* stuff. Fastow is front and center in the books, but remains a spooky, off-camera presence in the movie. However, this one section nails him. He’s perpetrating a major fraud with that spiel.
Most of all, the movie is a tribute to the work of reporters Bethany McLean and Peter Elkind, both of whom had the guts to ask at the beginning “How does Enron execute money”? No one at the company could respond the ask and management’s response was to attempt to bully McLean and then, in turn, bully her editors. They didn’t bend. The anecdote ran. The rest is history. In business writing, this was journalism on the level of Woodward and Bernstein. All glory belongs to Ms. McLean and Mr. Elkind.
Two other broad moves by Alex Gibney:
- Getting Amanda Martin on film to talk about the tragedy of Cliff Baxter’s life and of Jeff Skilling’s career. What a knowing filmmaker. The camera *loves* Amanda Martin. Far better for your film to have her squawk that yarn than have Ken Rice, Lou Pai or any other member of the Skilling inner circle.
- Getting Peter Coyote to recount. His is the perfect converse for this saga.
Narrated by former actor, Peter Coyote, this DVD is disturbingly true. It reveals the depths that people will sink at the expense of others, and it reveals how widespread it was.
First, Arthur Anderson Consulting signed off on “imprint to marketing” accounting. In other words, Enron could recount their projected earnings as right profits. They could “portray” profits of millions of dollars that they didn’t have. They paid bonuses and other excesses with these projections.
Next, Jeff Skilling was hired by Ken Lay to race the operations of the company. Skilling was a man with modern, or some would say, grandiose ideas. This is honest what Lay wanted–a man of vision.
Skilling soon instituted promotions and bonuses for analysts who produced more than the other guy. Creating a classic cuthroat environment, the producers were given phenomenal bonuses while their less successful counterparts were shown the door. These were all being given on projected earnings.
One rebel market analyst from Merrill Lynch would not give Enron a “strong win” rating. Skilling contacted Merrill Lynch who promptly fired the errant employee, and Enron gave Merrill Lynch a fifty million dollar contract.
Enter Andy Fastow another Enron executive in the mold of Jeff Skilling who managed to plot up dummy corporations which were paying Enron. Several prominent banks knew of the diagram and went along with it. (You may even have your money in one of them.)
Another Enron executive, named Pi was an executive cuthroat who knew his predilections and his limits. He left the company after making $250,000,000 and married his pregnant, stripper girlfriend.
Skilling, Fastow, and Lay kept attempting unusual investments in energy and other ventures which flopped miserably. The DVD shows how they were beginning to lose their ability to consider of original ideas to fool the public and the investors who never saw an Enron balance sheet or earnings statement.
The most chilling piece of this is the Enron analysts who were able to build rolling black-outs through California. They invested in the stock of power companies before they called the power companies and asked them to shut down the power for hours at a time. This, in turn, created put a question to, which increased the brand of the stock and their profits. The staunch chill is you hear what is tantamount to their psychopathic laughter at the misery and hardship they helped obtain throughout the place. In another instance, they actually began cheering when a forest fire shuts down a power plant. Their “profit cheering” with no regard for the misery of the people without power may compose the viewer want to descend these guys from a colossal building.
It gets even better–I mean, worse. Ken Lay said he didn’t know what was going on. Interviewees told Ken Lay what his analysts were doing. None were fired or disciplined. How did he not know? He, like other top executives, sold off almost all their shares in the company objective before the abominable news hit. The favorite worker who had his or her 401K tied up in Enron stock was not allowed to sell it as the company and its stock value collapsed. They lost everything. One accepted power company worker who was interviewed said that his pension went from $340,000 to $1,200. This was painful to listen to.
One last thing, these “Enron entrepreneurs” fought tooth and nail to sustain California’s energy laws deregulated. Everything has its positives and negatives. If free market enterprise is unchecked it does lead to invention and creativity. It also leads to greed and excesses.
Maybe a cramped regulation is not such a abominable thing.
Update: Lay and Skilling have been found guilty. Their lawyer fees, expensive. The verdict, priceless!
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Pride and Prejudice Movie Streaming
Mar0
Compare Prices on Pride and Prejudice
This BBC/A&E production is one of the most well made films my wife and I have ever seen – satisfactory acting, costumes, sets and status, music, directing, editing!! Like others here, we have watched the A&E VHS edition over and over. (It is a ‘chick flick’, but I relish romantic movies, too.)
Our excitement over getting the DVD feeble upon loading both the VHS tape and DVD and comparing the images and sound. The widescreen image on the DVD is definitely more certain on our 50″ high res cover, and it is a pleasure to ogle the fleshy images framed as the Director intended.
HOWEVER, the colors are not honest washed out. The digital remastering has changed the color tone of the film as if someone feeble a Photoshop/Premier digital filter without bright what they were doing. The VHS and fresh not only had rich color saturation, but also had a warm tone that felt ‘right’ with the period film. The DVD is not only washed out, but has a strong blue-white tone to it that gives a cool new feel to the scenes.
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To score the image to peep discontinuance to decent on our TV, I had to turn the color saturation up as far as it would go, bring the inequity down and the brightness up. It then almost matched the VHS images except for the blue-ish rather than warm overall cast.
The sound is tinny, remarkable of the lower frequencies that are on the VHS sound track being chopped off.
There are no subtitles at all (we frequently turn them on for other DVDs when we cannot quite acquire out the dialog) – worthy less alternative language tracks.
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So, why is this edition ‘Special’? The only additions, other than the abysmal digital remastering (digital destruction) are:
(1) an 8-page booklet (that mentions only 3 of the actors)
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(2) some text-only biography screens, that mention only 2 of the actors
(3) a 20-some little ‘making of’ feature that gives the producer most of the credit (and she did of course do the team together, but the director/editor/actors/choreographer/costumers/etc produced the art) – and which collected only visits with 4 of the actors – out of this tremendously talented cast.
What was supposed to be a ’special’ Christmas gift, ended up being a gigantic disappointment. We can only hope that A&E and BBC will accomplish an ‘Extra Special’ edition that gets the color and sound befriend to the director’s blueprint (did he even gather to review this DVD? ) . That, and a rebate for all of us who bought this detestable edition, would get us contented enough. Adding subtitles, profiles of everyone else fervent in the production, and stills of the various homes, heritage buildings and towns outmoded would be (savory, but optional) gravy.
“Pride and Prejudice” is one of the top 10 novels ever written. The BBC miniseries with Colin Firth and Jennifer Ehle is the finest adaptation to date. The actors are righteous. The cloak play is factual, comprehensive, parsimonious, and fascinating. The dialogue is radiant and preserves grand of Jane Austin’s witty and wry commentary. The cinematography is satisfactory. The film was shot in authentic locations all over Britain.
I view the film adaptation by the BBC and A&E was so magnificent, I bought the VCR tapes when they were released, then I bought the lazer disk version, and then I bought the DVD version. The DVD version is a huge tubby disappointment. The quality of the DVD transfer is NOT favorable.
First, the colors appear broken-down and with the Regency English palette of beige-greens, browns, ambers, and taupes, this is a serious defect. It makes the clothing gape venerable, the grass and trees witness sunburned, and some places, the complexions seek downright washed out. The film appears to have been shot in Arizona at high noon instead of England.
Second, for some bizarre reason, the DVD processors nipped and tucked some of the fresh material. The clipped portions might not bother one who has never seen the original–but I noticed. There was no need to edit this film. Four of the 50-minute sections are crammed on disk 1 (where the editing takes dwelling) and the other two were recorded on disk 2. I guess it would have made too distinguished sense to relate three episodes on each disk? Seems like bad planning to me.
For the brand of this 2-disk DVD package, more care should have been taken with the transfer process. My lazer disk version cost less, holds more, and has attractive resolution.
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Kamikaze Girls Streaming
Mar0
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Kamikaze Girls Streaming.
Movie Title: Kamikaze Girls Kamikaze Girls is available for streaming or downloading. |
`Kamikaze Girls’ is a toothsome, pop, modern, and utterly sweet myth of the friendship between two Japanese girls Momoko and Ichigo. Certain, some portion of the film’s very disarming charms can be appreciated more with knowledge of original Japanese culture, but that doesn’t mean the film should be seen only by the dinky coterie of moviegoers. After all the film’s theme is a universal one.
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First, remember the film’s current title (and its new unusual) is called `Shimotsuma Monogatari’ (The record of Shimotsuma) because this true town that is located in the northern suburb of Tokyo City (about 60 km to the north of the metropolis) is the spot where we meet our cute heroines.
OK, this rural town is the plot where Momoko (meaning literally `peach-child’ in Japanese) is living. She loves wearing comely, girlish (and expensive) clothing (usually referred to `Lolita’ or `Lolita Fashion’ in Japan) and in order to rob them she goes all the plan to Tokyo. One day, she thinks of a shining view to net money. Following the `business’ of her ex-yakuza father, Momoko sells fake designer clothing on the gather.
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Only one customer shows up. It is Ichigo (literally meaning `strawberry’), a teenage girl clad in a long coat (signature of Japanese teenage motorcycle gangs), and riding a ridiculously decorated pink-colored scooter. Somehow this incongruous pair of girls gets friendlier to each other, and Momoko, confirmed loner, finds there is something precious that she cannot assume, more precious than the esteem dress that she is wearing.
[DELIGHTFUL] The incredibly charming film is not so distinguished about the narrative as the two incredibly charming characters Momoko (Kyoko Fukada) and Ichigo (Anna Tsuchiya) . From the exaggerated cartoon-ish style of introduction, we immediately fell in fancy with these heroines, whose recent outlook on life and novel code of behavior perfectly matches their equally current and modern fashion. Actually, Momoko’s costumes are one of the assets of the film, which will be genuine inspiration for designers.
Unfortunately, some comic scenes might be lost on non-Japanese viewers, which heavily rely on the linguistic differences between some regions in Japan. Please remember this. Momoko’s father is from Kansai place, of which dialect is more down-to-earth and slightly earthy than the words Momoko usually uses with a posh relate, who loves the French rococo fashion. Momoko’s always gramatically accurate speech makes a mountainous disagreement with Ichigo’s frequent verbal slip-ups when heard in Japanese. And as to the several comic episodes about selling deceptive goods, they are very exaggerated, but not totally fictional.
But you don’t have to exertion about the languages, because the joy of `Kamikaze Girls’ means its comic visuals and portraits of the likable heroines, Momoko and Ichigo. The only thing I disagree with `Kamikaze Girls’ is its misleading English title. Why not call it simply like `Momoko and Ichigo’ or something? Otherwise it is an absolutely charming film with these cute, fair, and inimitable heroines.
By the arrangement, contrary to the impression you might have from the role of Ichigo, Anna Tsuchiya started her career as fashion model.
One of the few appetizing movies I’ve seen in unique years is this quirky adaptation of Novala Takemoto’s fresh. Dreamer Momoko Ryugasaki feels stranded in Shimotsuma in Ibaraki Prefecture, north of Tokyo, i.e. the boonies. She feels more at home in France’s opulent Rococo period (1715-1770), cutting quite a figure dressed in her pink Lolita dress, white parasol, and white platforms. She is the main character and narrator, occasionally speaking to the camera.
Momoko lives with her loser father and grandmother in a shabby hut, a far yowl from her birthplace, the bustling bargain hunters’ paradise of Amagasaki in Hyogo Prefecture–a suburb of Osaka on the northeast shore of Osaka Bay. She has an individualistic arrive to life, at one point not hesitating to drawl made up stories of a classmate in misfortune to gain money to engage her expensive Lolita clothes, leading her father to sob in sympathy and fork over the cash. “So what if I was deceitful? My happiness was at stake. It’s not inappropriate to feel suitable. But actually my soul is inferior.” A retread of that 60’s mentality of if it makes you satisfied, do it.
Enter Ichiko Shiyayuri, a tough-looking, rough-talking, sometimes hot-tempered member of the ladies biker gang The Ponytails who occasionally spits, to the disgust of the more refined Momoko. She is astounded and appreciated at being able to engage a bogus Versace jacket for only 2000 yen ($20), and there starts the beginning of the one of the most unlikely friendships ever. Ichiko’s more down-to-earth and more connected to people than Momoko and when the latter makes a comment that really pi**es her off, headbutts her.
Ichiko wants to fetch a legendary embroiderer named Emma in Tokyo’s Daikanyama status. Turns out that Akimi, the fierce but beautiful leader of the Ponytails is retiring and Ichiko wants to reveal her gratitude by having some special stitching done on her long kamikaze coat. However, they need money and terrible Momoko is hijacked by Ichiko to a pachinko parlour.
Scenes not in the book: some surreal humour when Momoko buys a cabbage then hands it to Ichiko. “This is your recent friend.” Another is a low-ranking yakuza named Ryuji whose hairdo has to be seen to be believed–hint, his nickname is Unicorn Ryuji. The dual branding scene of tying in Universal Studios and Versace has a silly side, when to mock the copyright violation done by Momoko’s dad on his unfounded goods, the words “Versace” and “Universal” are bleeped to accomplish them “Ver*ch” and “Uni*sal Studios.” Also satirized are people who feel proud to build money at Jusco–Japan’s Walmart, and pose like in brochures, cheesy smile and all–”this polo shirt cost me only 800 yen.” “These people are crooked,” says a disgusted Momoko with a sour expression on her face.
Shimotsuma Monogatari benefits from the dynamic performances of Kyoko Fukada as Momoko and half Japanese/half Russian Anna Tsuchiya as Ichigo. Fukada’s very fetching in the supercute Lolita costumes, which do a nice job of contrasting her tanned complexion and milk-tea coloured hair. Her expressions are delicious from her cute babyishness to when her eyes widen. Tsuchiya herself has some comical moments, when she clowns around in the Aristocratic Forest café trying to attract Fukada’s attention. But there is a poignant moment when she gets heartbroken, showing her to be more human than Momoko. Tsuchiya is definitely the better actress, having won more awards for this film than Fukada.
Included in the eclectic soundtrack are the Petula Clark-ish “Lucie Est Amoreuse,” the discouraged Lisa Loeb-ish “She Said,” the slamming power pop of “Time Machine wa Onegai,” and Yoko Kanno’s catch, ranging from sweet violin, ragtime piano, and French café accordion melodies.
One other theme is finding one’s niche. Momoko feels at home wearing her Lolita clothes and is gigantic at embroidery. Ichiko’s pleased fixing bikes at a mechanic’s shop in Tsuchiura, but doesn’t want people telling her what to do. Also, settle your contain style over the cheap and casual–Daikanyama’s Baby The Stars Shine Intellectual boutique over Jusco.
Watching Shimotsuma Monogatari inspired me to visit the Ushiku Buddha and Shimotsuma itself during my Japan straggle. The interior of the Shimotsuma region has been altered from the recent, no sizable shroud TV, but the platform where Momoko is seen waiting for her recount is right.
Shimotsuma Monogatari is a comic off-the-wall cult comedy that will be appreciated by Japanophiles, particularly those fervent in the youth and fashion scene. One complaint: why Kamikaze Girls? What’s unsuitable with the new title?
This review sponsored by Ver**ch and Uni**al.
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Watch Walking with Dinosaurs Movie Online
Mar0
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I work for the Dinosaur Natural History Association in Brooks, Alberta. We assist Dinosaur Provincial Park. Because of this I started receiving phone calls from the UK, from friends and family asking me if I had seen “Walking with Dinosaurs”. Everyone was raving about it, however, I had at this time no thought what they were talking about. Luckily I was sent a copy for Christmas and what can I say. This is one of the most challenging and amazing state of programs I have ever seen. My mouth was launch in amazement most of the time! The animation was beyond plan. Basically “Walking with Dinosaurs” is 6 piece series made in documentary fashion. The producers worked with palaeontologists and animators to acquire what we know about dinosaurs, with what we deem we know to near up with six astonishing programs of a documentary style that would manufacture you beget you were actually walking with dinosaurs. Narrated by Kenneth Branagh in a plan that you would interrogate to recognize on the Discovery Channel while watching a documentary on a pride of lions. My nine year old-fashioned daughter watched this too and was totally caught up in it. Never have I watched such an extraordinary creation. The animation matches that of the dinosaurs in “Jurassic Park”. The account lines are believable to the point that you collect emotionally interested with the Iguanodon herd risking attack, or the Apatasaurus caught up in a forest fire trying to speed. You want the T-Rex to ‘get it’ after the plan she treats her man! To top it off at the slay of the series there is a 50 petite “Making of Walking with Dinosaurs” (at least there was on my copy, I hope you all secure it on the DVD) Which leaves you with feelings of nothing but admiration for Tim Haines’s team, who worked hard at their research and quest for fact, the conditions they had to effect in their heads to film landscape with no dinosaurs, from the footprints they had to manufacture in sand to trees swaying and splashing water… Scrutinize THIS! It is hysterically droll in parts and you will be amazed. If you search for no other movie or series in your life …. perceive this one because you will feel totally fulfilled, amazed and be on the phone to your friends telling them about it. It is truly gleaming and you will want to discover it all over again immediately afterwards… I know I did!
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“Walking With Dinosaurs” is the kind of documentary that digital and other high tech methods of animation were made for! Granted, Spielberg musty some similar methods to friendly carry out in his dino-films “Jurassic Park” and “Lost World,” but “Walking With Dinosaurs” is the modern apex of animation technology for exctinct animals, and traditional for education, too!
I sat in anxiety as I watched these six incredible segments on the natural history of dinosaurs produced by the BBC. I was particularly impressed by the segment on marine reptiles — a group that receives relatively petite press, since they’re not dinos, and since they don’t interact with most peoples’ favorites, like T. rex, Allosaurus, or Stegosaurus, etc.
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Never had I seen recreations of dinosaurs that were as life-like and convincing (except for the occasional animatronic attain) as the ones in this video.
Watching these segments about different time periods, places, and groups of dinosaurs I was once again reminded and impressed by the long reign of these animals on the earth. I also plan that many aspects of their biology and ecology were interestingly presented. No one was, of course, around to leer what these animals actually did, so the device dinos are presented in the video are unavoidably informed guesses about how we mediate that these now veteran animals lived. I applaud the author and producer for their handsome efforts!
Viewers should be aware, however, that there is a ample and convincing alternative body of information (backed by a well-known number of paleontologists) that suggests that carnivorous dinosaurs like Allosaurus, T. rex, and even Utahraptor did not race down their prey, bring them down, and destroy them like a giant lion would — i.e., overpowering and killing their prey immediately. The alternative proposal about how the meateaters did their business is akin to the map that monitor lizards, like the Komodo Dragon, bring down their prey. Dragons inflict a slashing bite, even a relatively shrimp one on their prey. When they do that bacteria that live on their teeth are introduced into the prey’s body. After a while the prey animal succumbs to the bacterial infection and the dragon can eat at will. Granted, this blueprint of attack and subjugation is less dramatic than the hunt and end plot portrayed a couple of times in this video series, but it’s an equally if not even more convincing sage about how great meat eaters may well have done their business.
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Those kinds of academic debates aside, this is a amazing, knowing series. The imagery is worthy, the soundtrack is supportive and enhancing, and the narration is outstanding! I will see this series again and again.
5 stars all the diagram!
Alan Holyoak, Ph.D., Dept of Biology, Manchester College, IN
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Almost An Angel Streaming
Mar0
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Almost An Angel Streaming.
Movie Title: Almost An Angel Almost An Angel is available for streaming or downloading. |
Most US audiences first tast of Paul Hogan was in the hugely succesful Crocodile Dundee, with Mr Hogan in the title role. Although this movie tries to spin on the shirt tails of that success, it is actually a very well made, and self standing production. Paul began his career many years earlier on Australian TV in his have exhibit which was a series of sketches, observations, and almost a down under version of a one man Saturday night live. Anyone familiar with this early material will indulge in the mix of subtle antipodean humor, and at times slapstick see gags in this recount. But this is NO Dundee style flick, despite the repeated pairing of Hogan and Kozlowski (as the adore interest) and is a light, poignant and conception provoking storyline. Another huge strength is the factual comment that is discreetly delivered, without being overly sentimental, or patronising. Hogan plays a reformed petty thief who is convinced he has died and been delivered aid to Earth to form amends for his wayward lifestyle. This knowledge makes him conduct himself as if indestructible, with some comical results, and the whole describe has a feelgood flavour, whilst cleverly retaining a sober undertone. This apsect of the record is never really revealed to the audience, and the “is he, isn’t he”? aspect adss an extra dimension to the comedy. An obedient cameo from Charlton Heston as God, and a solid supporting cast and script, leaves one wondering why this film was only moderately succesful at the box office, and more importantly why it has yet to manufacture it to DVD. With the amount of relaunching, repackaging, special editions, and anniversary releases of a ton of movies these days, this film doesn’t deserve to be overlooked. A contemporary “It’s a Astonishing Life” it may not quite be, but it IS a very ample movie. Like!
In 1986 Paul Hogan moved from being the spokesman for Australian tourism on the slight conceal to the surprise star of the surprise hit theatrical film, “Crocodile Dundee.” Two years later he made “Crocodile Dundee II,” and two years after that he made this comedy and married his constant co-star Linda Kozlowski. “Almost an Angel” is a better film than “Crocodile Dundee II,” and certainly the most intimate of Hogan’s first three films.
This time around he plays Terry Dean, an expert on security systems who was so generous his criminal endeavors were easily recognizable who also took a turn at some creative attempts at bank robbery. The true anecdote begins when Terry gets out of prison and becomes convinced that he has not only died but has been sent relieve to Earth by a beautiful being (who certain sounds and looks like Charlton Heston) with a chance to redeem himself. Since Hogan clearly believes this is what is going along, there is no reason for us not to go along for the dart.
Terry meets up with Steve (Elias Koteas), a guy in a wheelchair and the next thing we know he is being taken home, meeting Steve’s sister Rose (Kozlowski), and helping out at the center for the neighborhood kids. The formula is fairly certain, but the point is not whether Terry is going to procure his redemption but how he is going to pull it off. Ultimately the film’s message (yes, there actually is one) is relatively simple: Terry succeeds because he has complete faith in himself. It does not matter that his faith is without a proper foundation, because Terry is too busy animated mountains to examine his tremendous delusion is built on shifting sand.
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Once again, Hogan’s performance redeems a lot of the faults with the movie in which he is appearing. Since Hogan writes his maintain scripts he has the advantage of sparkling exactly what works for his cloak persona. Terry Dean is not as whimsical as Mick Dundee, but Hogan was clearly colorful enough to try and derive beyond that character. He was also sparkling to form a more intimate sort of movie, where the status is what is out there more than the character. Hogan also knows how to plot up his gags exquisite well. “Almost an Angel” only made a allotment of the money by either of the “Crocodile Dundee” films, but it is arguably a better made movie.
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